Presentation of the Special Issue. Cultural Innovation in the Basque Country: A Polyhedral View
Presentación del Número Especial. Innovación cultural en el País Vasco: Una visión poliédrica
DOI:
https://doi.org/10.31637/epsir-2022-205Resumen
The Special Issue entitled "Cultural innovation in the Basque Country: A polyhedral perspective" brings together 6 articles written by members of the research group of the University of the Basque Country (UPV/EHU) "INNOkLab: Laboratory of Cultural Innovation”. The articles are, precisely, the result of a reflexive process to delimit a complex but extraordinarily suggestive field of study such as cultural innovation, from an epistemological perspective that understands cultural evolution and cultural change as a constitutive part of the most dynamic socio-technical systems of the present. It is, therefore, a collective effort that attends to the links between innovation and culture from the consideration that the associations and connections that make innovation processes possible are also the result of the transformation of daily routines, identities, symbolic interpretations and emotional repertoires of the actors involved.
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Abad, B., & Gonzalez, S. (2022). From compass to radar: an innovative methodological strategy for researching cultural innovation. European Public and Social Innovation Review, 7(2). DOI: https://doi.org/10.31637/epsir.22-2.2
Brea, J. L. (2004). El tercer umbral: Estatuto de las prácticas artísticas en la era del capitalismo cultural. Cendeac.
Brown, T. (2009). Change by Design: How Design Thinking Transforms Organizations and Inspires Innovation. Harper Collins.
Comaroff, J. L., & Comaroff, J. (2009). Ethnicity, Inc. University of Chicago Press. DOI: https://doi.org/10.7208/chicago/9780226114736.001.0001
Cunningham, S. (2002). From Cultural to Creative Industries: Theory, Industry and Policy Implications. Media International Australia, 102, 54-65. DOI: https://doi.org/10.1177/1329878X0210200107
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Florida, R. (2002). The Rise of the Creative Class: And How It´s Transforming Work, Leisure, Community and Everyday Life. Basic Books.
Godin, B., & Vinck, D. (Eds.). (2017). Critical Studies of Innovation: Alternative Approaches to the Pro-Innovation Bias. Edward Elgar. DOI: https://doi.org/10.4337/9781785367229
Himanen, P. (2001). The Hacker Ethic and the Spirit of the Information Age. Random House.
Hofstede, G. (1980). Culture´s Consequences: International Differences in Work-Related Values. SAGE.
Hofstede, G., Hofstede, G. J., & Minkov, M. (1991). Cultures and Organizations. Software of the Mind: Intercultural Cooperation and Its Importance for Survival. McGraw Hill.
Lamo de Espinosa, E. (1996). Sociedades de cultura, sociedades de ciencia. Nobel.
Landry, C. (2000). The Creative City: A Toolkit for Urban Innovators. Earthscan. DOI: https://doi.org/10.4324/NOE0415232418.ch17
Leadbeater, C., & Oakley, K. (1999). The Independents: Britain´s New Cultural Entrepreneur. Demos.
Lipovetsky, G., & Serroy, J. (2013). L´esthétisation du monde: Vivre à la âge du capitalisme artiste. Gallimard.
Martinez de Albeniz, I. (2021). From Francoism to franchise: Basque identity as a socio-technical network. Journal of Spanish Cultural Studies, 22(4), 519-537. DOI: https://doi.org/10.1080/14636204.2021.1998293
Miles, I., & Green, L. (2008). Hidden Innovation in the Creative Industries. Nesta.
Reckwitz, A. (2017). La estetización y el dispositivo de la creatividad: El régimen social de la novedad estética. En C. Sánchez Capdequí (Ed.), La creatividad social: Narrativas de un concepto actual (pp. 373-374). Centro de Investigaciones Sociológicas.
Rosa, H. (2019). Resonance: A Sociology of Our Relationship to the World. Polity.
Sánchez Capdequí, C. (2017). Creatividad: ¿Hasta dónde instituyente, hasta dónde instituida? En C. Sánchez Capdequí (Ed.), La creatividad social: Narrativas de un concepto actual (pp. 7-17). Centro de Investigaciones Sociológicas.
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