Emotionally Connecting with the consumer: The Use of Documentary Film in Marketing Strategies in Spain
DOI:
https://doi.org/10.31637/epsir-2024-1047Keywords:
documentary marketing, human marketing, advertising, marketing strategies, emotional marketing, documentary film, consumer identification, meaningful experiencesAbstract
Introduction: Documentary film can be an effective tool in marketing to establish emotional connections with the audience, highlighting consumer identification with the brand. The central hypothesis of the research suggests that documentary film strengthens emotional relationships between brands and consumers, increasing loyalty and the performance of advertising campaigns. Methodology: The methodology includes a literature review, case studies of the use of documentary film in marketing and in-depth interviews with experts in marketing, advertising and documentary film in Spain. Results: The results indicate that Documentary Marketing is effective in generating greater closeness between the customer and the brand, using real experiences and authentic film techniques. The companies that use these techniques have achieved a strong hold in the consumer's mind, increasing trust and loyalty. Discussion: The use of documentary film tools, such as truth and transparency, storytelling, and specific technical resources, are valued as key to creating an emotional connection with the consumer. Conclusions: The study concludes that Documentary Marketing can be an effective strategy to establish deep and authentic emotional connections with consumers, offering a competitive advantage in a market saturated with conventional advertising.
Downloads
References
Atkin, D. (2005). El culto a las marcas. Robinbook.
Bateson, G. (1991). Pasos hacia una ecología de la mente. Lohlé – Lumen.
Dillard, J. P., Shen, L., Vail-Smith, M. L. y Doran, D. D. (2007). The power of story: Narrative persuasion in documentaries. Journal of Communication, 57(2), 276-294.
Escalas, J. E. y Bettman, J. R. (2005). Self-construal, reference groups, and brand meaning. Journal of Consumer Research, 32(3), 378-389. DOI: https://doi.org/10.1086/497549
Filimon, N., Balan, C. y Borza, A. (2018). The impact of documentary film on consumer behavior and branding. Journal of Marketing Theory and Practice, 26(2), 186-200.
Gaudenzi, S. (2017). The Evolving Practices of Interactive Documentary. WallFlower Press.
Godin, S. (2019). Esto es marketing. Alienta.
Ihlen, K., Eide, J. y Kjeldsen, B. (2009). The value of corporate social responsibility: A documentary study of CSR communication. Business Ethics: A European Review, 18(2), 171-186.
Kotler, P. y Armstrong, G.. (2013). Fundamentos de marketing. Pearson.
Kozloff, S. (2022). The Life of the Author. Caboose.
Kramer, B. (2017). There is No B2B and B2C. Human to Human: H2H. Substantium.
Lacey, R. y Cohen, J. (2013). Authenticity and credibility in advertising: measuring the Impact of reality-enhancing techniques in television commercials. Journal of Advertising Research, 53(2), 229-234.
Nichols, B. (1997). La representación de la realidad. Paidós.
Nichols, B. (2013). Introducción al documental. Universidad Nacional Autónoma de México.
Ogilvy, D. (1967). Confesiones de un publicista. Grijalbo
Pope, A. T. (2011). The art of marketing. Journal of Marketing Management, 27(5-6), 458-476. DOI: https://doi.org/10.1080/02672571003683797
Schaefer, M. (2023, 10 marzo). Marketing Solutions: We Help Businesses grow.
https://businessesgrow.com/mark-schaefer/
Slater, M. D. y Rouner, D. (2002). Cinematic appeals: the experience of new movie technologies. Journal of Broadcasting & Electronic Media, 46(3), 358-376.
Spradley, J. (2016). The Ethnographic Interview. Waveland Press.
Stam, R. (2001). Teorías del cine: una introducción. Paidós Ibérica.
Uricchio, W. (1991). The Many Lives of the Batman: Critical Approaches to a Superhero and His Media. Routledge.
White, K. A. y Herr, P. M. (2015). Compared to what? How consumers evaluations of brands are affected by deviations from a goal standard in documentary films. Journal of Consumer Psychology, 25(1), 85-98.
Winston, B. (2011). Media Technology and Society: A History: From the Telegraph to the Internet. Routledge.
Wu, T. (2016). The attention merchants: the epic scramble to get inside our heads. Alfred A. Knopf.
Zyman, S. y Brott, A. A. (2002). The end of advertising as we know it. John Wiley & Sons.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Alfonso Jesús Torres Marín
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Non Commercial, No Derivatives Attribution 4.0. International (CC BY-NC-ND 4.0.), that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).