Three spheres in art and one function
DOI:
https://doi.org/10.31637/epsir-2025-1382Keywords:
art, construction site, artist, creative process, art market, biography, art sphere, function of artAbstract
Introduction: The functions of art can be varied, but they always depend on human creativity, through which humans evolve in all their facets. Objective: In order to delve into the nature of art and to determine if it has a function, this study explores the analysis from three spheres considered relevant to distinguish the artwork and its creative process, the artist, and the art market. Methodology: The observation approach towards the three spheres is made from the distinction between the artist and his biography, between the work and his creative process, and between the work and the art market. The comparison between the work of some artists and their objectives allows us to focus precisely on the differences that are established between one sphere and another. Results: The delimitation of the three spheres from the illustration of artistic work and the reflection on the core of art, provide a specific approach that guides towards a deeper perspective of the reflection of art, and from other disciplines such as philosophy, for which adds a digression on the way the artistic form dilutes the philosophical argument. Conclusions: The distinction between the spheres of art was important to delve into the depths of the subject and contribute to the exercise of documentary and artistic exploration.
Downloads
References
Artaud, A. (1983). Van Gogh: el suicidado de la sociedad y para acabar de una vez con el juicio de dios. Fundamentos.
Bausch, P. y Zorrilla, G. (2019). Surcos. Caminos. Recorridos. Ministerio de Educación y Cultura de Uruguay.
Chatruc, C. (20 de septiembre de 2022). Fridamanía: el fenómeno de una artista que es la antítesis de Warhol. https://acortar.link/HDkVEi
Gablik, S. (1987). ¿Ha muerto el arte moderno?. Hermann Blume.
Guarinos, V., Ramírez-Alvarado, M. y Martín-Pena, D. (2023). Ficción sonora y creatividad verbodependiente. Microrrelatos sonoros sin palabras. Revista Latina de Comunicación Social, 81, 332-352. https://doi.org/10.4185/RLCS-2023-1949 DOI: https://doi.org/10.4185/RLCS-2023-1949
Hiriart, H. (1999). Los dientes eran el piano. Tusquets.
Mendiguren Galdospin, T., Meso Ayerdi, K., Pérez Dasilva, J. Ángel y Ganzabal Learreta, M. (2023). Impacto y tratamiento de las acciones artísticas de Banksy en la prensa española. Revista Latina de Comunicación Social, 81, 491-507. https://doi.org/10.4185/rlcs-2023-1973 DOI: https://doi.org/10.4185/rlcs-2023-1973
Molero Sañudo, A. P. (2019). Banksy: catalizador del arte contemporáneo. Discurso Visual, 44, 50-61. https://acortar.link/82bHIR
Nietzsche, F. (2014). Obras completas (Vol. III). Tecnos
Pérez Romero, E. (2023). Las gemelas Grady (El Resplandor): paradigma de una nueva perspectiva de estudio sobre Stanley Kubrick. Revista de Ciencias de la Comunicación e Información, 28, 148-173. https://doi.org/10.35742/rcci.2023.28.e284 DOI: https://doi.org/10.35742/rcci.2023.28.e284
Picasso, P. (1990). Poemas y declaraciones. Fundación Pablo Ruiz Picasso.
Rosset, C. (2008). Principios de sabiduría y locura. Marbot.
Valadés, E. (1984). El libro de la imaginación. Fondo de Cultura Económica.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Sonia Viramontes Cabrera

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Non Commercial, No Derivatives Attribution 4.0. International (CC BY-NC-ND 4.0.), that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).