The origin of the superhero myth on TikTok. The evolution of the character in his journey through traditional and digital media

Authors

DOI:

https://doi.org/10.31637/epsir-2024-1638

Keywords:

superhero, myth, fiction, social networks, brand, industry, culture, Superman

Abstract

Introduction: This article revisits the superhero myth and focuses on its most iconic figure, Superman, to examine his evolution from early comics to his presence on social media. Methodology: The study uses a dual methodological approach, employing data from Analisa to interpret the phenomenon of Superman's modern digital presence. The latest DC Entertainment series, Superman & Lois, is analyzed as a case study where Superman’s dual hero-human identity acquires new traits that become content shared on social platforms. Results: Findings confirm that the "Superman brand" extends, reshapes, and recomposes itself on platforms like TikTok through follower interactions and comments. Discussion: These interactions reveal Superman as a cultural creation continually reconstructed through digital tools and the content produced by followers. Conclusion: Superman’s transformation on social media platforms like TikTok exemplifies the evolving nature of the superhero myth in response to follower engagement and digital culture.

Downloads

Download data is not yet available.

Author Biographies

Rut Martínez Borda, University of Alcalá

Professor of Audiovisual Communication and Advertising. She coordinates the research group “Images, Words and Ideas” and has been a member since 2000. Her main interest is focused on analyzing the place of communication tools, which are rapidly transforming society, in the lives of children and young people. From topics as diverse as education through art, programs for safe mobility, video games as cultural and educational objects or respect for creation from a field as complex as intellectual property, he tries to find answers that can help educators, parents and teachers to face the different challenges that society poses to us every day.

Sara Infante Pineda, University of Alcalá

PhD in Communication, Education and Society. Associate Professor at the University of Alcalá. She has more than 16 years of experience as Producer, Editor and Director of Radio programs (14 years in ABC Punto Radio, 4 years in Cibeles FM and 2 years in Onda Cero Radio). She received the Silver Antenna 2004 for the Direction and Presentation of special programs of Punto Radio. Among his publications is the book Vivir la Radio: empresa, tecnología y audiencia (2018). In addition to radio as a company and as a medium, he analyzes the phenomenon of audiences, media consumption habits and the phenomenon of Artificial Intelligence. He belongs to the research group “Images, Words and Ideas”.

Alba García Vega, University of Alcalá

Postdoctoral Fellow UAH. PhD in Communication, Information and Technology of the Network Society at the University of Alcalá. Member of the research group “Images, Words and Ideas”. Her lines of research focus on the study of the communicative projection of narratives in digital media, technological evolution and socio-cultural dynamics of interactive media. He has carried out projects and courses focused on the analysis of technologies and the development of digital content adapted to different cultural, creative and educational sectors, developing technological applications based on the inclusion of virtual and augmented reality. His research is also focused on interaction, immersion and narratives in social networks, new technologies and the socio-cultural dynamics of interactive media.

Iris Barrajón Lara, University of Alcalá

FPI-UAH Fellow. Student of the PhD program in Communication, Information and Technology of the Networked Society at the University of Alcalá. She is a member of the research group “Images, Words and Ideas”. Her lines of research focus on analyzing the place of communication technologies in the social, cultural and educational spheres. She tries to respond to the transformations that emerge in society to improve the use of these tools and promote their insertion in the lives of citizens. He has carried out projects and courses focused on the creation of educational and cultural digital content through the use and development of different tools and technological applications based on virtual and augmented reality.

References

Adams, N. (2019). No more tradeoffs: The era of big data content analysis has come. Sage Ocea. Tools and Technology.

Ajzen, I. (1985). The Theory of planned behaviour.

Alinejad, D. (2018). Digital ethnography: Principles and practice. New Media & Society(20), 428-431. DOI: https://doi.org/10.1177/1461444817733962c

Alvarez Barroso, C. (2020). Joker 2019: El magnetismo del antihéroe en su marketing. En J. Sierra y A. Barrientos, Cosmovisión de la comunicación en redes sociales en la era postdigital (págs. 869-886). McGraw-Hill.

Aparici, R., & García-Marín, D. (2018). Prosumidores y Emirecs: análisis de dos teorías enfrentadas. Revista Comunicar(55), 71-79. DOI: https://doi.org/10.3916/C55-2018-07

Ata, S., Arslan, H., Baydas, A., & Pazvant, E. (enero-abril de 2022). El efecto de la cerdibilidad de los influenciadores de los medios sociales en las intenciones de compra del consumidor a través de la actitud hacia la publicidad. ESIC Market Economics and Business Journal, 1(53), 22.

Bautista, F. (2009). El branding mitológico. La influencia de las marcas en las emociones humanas. Actas de Diseño(7), 49-56.

Boorstin, D. (1971). From Hero to Celebrity: The Human Pseudo-Event. New York: Attheneum.

Brembilla, P., & Pescatore, G. (2018). Adaptación, remediación, narrativa transmedia, ¿y qué mas?. El caso de los universos Marvel y DC Comics en el cine y la tv. En A. O. García Martínez, Cine y Series. La promiscuidad infinita. Salamanca. DOI: https://doi.org/10.52495/c2.emcs.1.c37

Busquet, J. (2012). El fenómeno de los fans e ídolos mediáticos, evolución conceptual y génesis histórica. Revista de Estudios de Juventud, 225.

C., A., & M., L. (2019). Introduction . En A. C., & L. M., Microcelebrity around the globe.

Cardona, P. (2006). Del héroe mítico al mediático. Universidad EAFIT, 42(144), 51-68.

Carlsen, H., & Ralund, S. (2022). Computational grounded theory revisited: From computer-led to computer- assisted text analysis. Big Data & Society(9). DOI: https://doi.org/10.1177/20539517221080146

Castelló Martínez, A. (2010). Estrategias empresariales en la Web 2.0. ECU.

Castelló-Martínez, A., & Del Pino, C. (2015). La comunicación publicitaria a través de los influencers. Revista de Marketing(14), 21-50. DOI: https://doi.org/10.17979/redma.2015.01.014.4880

Chang, V. (2018). A proposed social network analysis platform for big data analytics. Technological Forecasting and Social Change(130), 57-68. DOI: https://doi.org/10.1016/j.techfore.2017.11.002

Charmaz, K., & Thornberg, R. (2021). The pursuit of quality in grounded theory. Qualitative Research in Psychology(18), 305-327. DOI: https://doi.org/10.1080/14780887.2020.1780357

Chaves-Montero, A. (2018). La utilización de una metodología mixta en la investigación social . En K. Delgado, W. Federico, & S. Vera, Rompiendo barreras en la investigación.

Chicharro, M. (2012). Los jóvenes espectadores y las "stars" del celuloide. Revista de Estudios de Juventud.

Cinemascomics. (2020). https://www.cinemascomics.com

Civeira, M. (2018). Ego Sum Qui Sum. https://bit.ly/3IwFdjO

Civera, M. (2018). Superman: 8o aniversario del hombre de acero. SOMA.

Coco, S., & Eckert, S. (2020). #sponsored: Consumer insights on social media influencer marketing. Public Relations Inquiry(9), 177-194. DOI: https://doi.org/10.1177/2046147X20920816

Conde del Río, M. (http://doi.org/10.35742/rcci.2021.26.e126 de 2021). Estructura Mediática de TikTok: Estudio de Caso de la Red Social de los más jóvenes. Revista de Ciencias de la Comunicación y la Información(26), 59-77. http://doi.org/10.35742/rcci.2021.26.e126 DOI: https://doi.org/10.35742/rcci.2021.26.e126

Cornelio, G., & Roig, A. (2020). Mixed methods on Instagram research: Methodological challenges in data analysis and visualization. Convergence(26), 4-6. DOI: https://doi.org/10.1177/1354856520941613

Creamer, E. (2022). Advancing grounded theory with mixed methods. Routledge, Taylor & Francis Group. DOI: https://doi.org/10.4324/9780429057007

De Frutos, B., Pretel, M., & Sánchez, M. (2014). La interacción de los jóvenes con las marcas en las redes sociales. adComunica(7).

Eco, U. (1984). Apocalípticos e integrados. Barcelona: Lumen.

Erreguerena, J. (2007). El poder y el cine: "Superman, el supersímbolo del poder". Razón y Palabra(59).

Gamson, J. (2011). The unwatched life is not living. The elevation of the ordinary in celebrity cuture. PMLA, 4(126), 1061-1069. DOI: https://doi.org/10.1632/pmla.2011.126.4.1061

García de Blanes, M. (2020). XII Congreso I. Latina de Comunicación Social. LOS VIDEOS CORTOS COMO ESTRATEGIA DE MARKETING EN SOCIAL MEDIA. UN ANÁLISIS DE CONTENIDO DE LA PUBLICIDAD EN LA APLICACIÓN DE TIK TOK (pág. 114). Revista Latina de comunicación social.

Gobookmart. (2023). https://gobookmart.com/es/the-evolution-of-superman-throughout-the-years/

Hou, M. (3 de Enero de 2022). Social Media Celebrity and the institutionalization of Youtube. Convergence, 25(3), 534-553. DOI: https://doi.org/10.1177/1354856517750368

Hunting, K. (2021). Critical content analysis: a methodological proposal for the incorporation of numerical data into critical/cultural media studies. Annals of the International Communication Association(45), 39-58. DOI: https://doi.org/10.1080/23808985.2021.1910061

IAB. (2021). Estudio Anual Redes Sociales. anual, IAB.

IAB. (2021). Estudio de Redes Sociales.

Jenkins, H. (2006). Convergence Culture. New York: University Press.

Jenkins, H. (2010). La cultura de la convergencia de los medios de comunicación. Communication & Society, 23(1), 301.

Kaplan, A. (1943). Content Analysis and the Theory of Signs. Philosophy of Science, 230-247. DOI: https://doi.org/10.1086/286814

Kennedy, M. (12 de Enero de 2020). If the rise of the Tik Tok dance and e-girl aesthetic has taught us anything, it´s those teenage girls rule the internet right now": Tik Tok celebrity, girls and the Coronavirus crisis. European Journal of Cultural Studies, 6(23), 1069-1076. DOI: https://doi.org/10.1177/1367549420945341

Kitchin, R. (2014). Big Data, new epistemologies and paradigm shifts. Big Data & Society(1). DOI: https://doi.org/10.1177/2053951714528481

Krippendorff, K. (2018). Content analysis: an introduction to its methodology (Fourth Edition). SAGE. DOI: https://doi.org/10.4135/9781071878781

Lacasa, P. (2020). Adolescent fans. Practices, discourses, and communities. Peter Lang. DOI: https://doi.org/10.3726/b14291

Leal, S. (2010). El mundo posible de los héroes mediáticos. En U. Quindio, Los héroes mediáticos (págs. 72-77). Colombia. DOI: https://doi.org/10.33975/riuq.vol20n1.713

Loeb, J., & Morris, T. (2005). Heroes and Superheroes. Chicago: Open Court.

López Lita, R., & Martínez, J. (2012). Publicidad e ídolos de juventud: una simbiosis inseparable. ¿ También en Interbet? Revista Estudios de Juventud(96), 181-195.

López, A., Cisternas, R., Somavilla, R., & Méndez, M. (https://doi.org/10.29019/tsafiqui.v14i22.1200 de 2023). La interacción del usuario en TikTok: el engagement según la tipología de contenido. TSAFIQUI.Revista Científica en Ciencias Sociales(22), 105-117. https://doi.org/10.29019/tsafiqui.v14i22.1200 DOI: https://doi.org/10.29019/tsafiqui.v14i22.1200

Lorao, D. (2019). Hobby Consolas. Recuperado el Junio de 2022, de https://www.hobbyconsolas.com/

Ma, L., & Zhang, Y. (2022). Three Social-Mediated Publics in Digital Activism: A Network Perspective of Social Media Public Segmentation. Social Media + Society,(8). DOI: https://doi.org/10.1177/20563051221094775

Madan, R. (2011). Celebrity endorsement: a marketing strategy. En E. Thakar, S. Thukral, N. Sahu, & V. Gupta, Challenges of Globalization (Vol. 1). India: MacMillan.

Martín Neira, J. I., Trillo-Domínguez, M., & Olvera-Lovo, M. (2023). De la televisión a TikTok: Nuevos formatos audiovisuales para comunicar ciencia. Comunicación y Sociedad, 1-27. DOI: https://doi.org/10.32870/cys.v2023.8441

Martinez-Borda, R., Lacasa, P., & Castillo, H. (2021). Big and small data: Watching and discussing televisionseries on streaming. Cuadernos.Info Comunicación y medios en Iberoamérica(49).

Marwick, A., & Boyd, D. (19 de Mayo de 2021). To See and Be Seen: Celebrity practise on Twitter. Convergence, 2(17), 139-158. DOI: https://doi.org/10.1177/1354856510394539

Merino, F. (2020). Filosofía de Superman: del superhombre al superhéroe. Academia.

Morrison, G. (2012). Supergods: Héroes, mitos e historias del cómic. Ciudad de México: Turner.

Morse, J. (2021). Developing grounded theory: the second generation revisited (Second edition). Routledge. DOI: https://doi.org/10.4324/9781315169170

Mundo Superman (2021). Obtenido de www.mundosuperman.com

Olivares, J. (2016). Lo que quizá NO sabías de Superman. Dolmen.

Q., Y., & F., Y. (2020). From parasocial to parakin: Co-creating idols on social media. New media&Society.

Q., Y., & F., Y. (27 de Junio de 2021). From parasocial to parakin: Co-creating idols on social media. New media & Society, 9(23), 2593-2615. DOI: https://doi.org/10.1177/1461444820933313

Qian, X. (2022). Three narrative patterns of the city image visually presented on Instagram under the influence of self-presentation. Media, Culture & Society. DOI: https://doi.org/10.1177/01634437211069968

R., L., & J., M. (2012). Publicidad e ídolos de la juventud: una simbiosis inseparable. Revista de Estudios de Juventud.

Ravelo, L., & Rodriguez, N. (s.f.). El mito de Superman. Luthor(37), 60-77.

Rey, J., & Selva, D. (2012). El glamour de la moda y la pasarela. Revista de Estudios de Juventud(96), 165-179.

Rial, J. (URL: http://portal.amelica.org/ameli/journal/26/263683016/ de 2021). Cómo los superhéroes explican el mundo. Cine, cómics y política internacional. Relaciones Internacionales, 30(61).

Rojas, J., & Herrera, S. (https://doi.org/10.3145/infonomy.24.039 de 2024). "Formatos" y "narrativas" digitales: similitudes, diferencias y delimitación conceptual de algunos de los formatos más habituales. Infonomy, 2(3)https://doi.org/10.3145/infonomy.24.039 DOI: https://doi.org/10.3145/infonomy.24.039

RTVE. (2022). RTVE. Obtenido de RTVE: https://acortar.link/SlgVez

Russell, A., & Itzler, J. (2020). The influencer code: how to unlock the power of influencer marketing. Hatherleigh Press.

Santana, D. (2020). De Odiseo a Superman. (U. d. Sevilla, Ed.) Sevilla.

Sarwatay, D., & Raman, U. (2022). Everyday negotiations in managing presence: young people and social media in India. Information, Communication & Society, 4(25), 536-551. DOI: https://doi.org/10.1080/1369118X.2021.1988129

Senft, T. (2019). Fame, shame, remorse, authenticity: a prologue. En A. C., & L. M., Microcelebrity around the globe.

Serafini, F., & Reid, S. (2019). Multimodal content analysis: expanding analytical approaches to content analysis. Visual Communication. DOI: https://doi.org/10.1177/1470357219864133

Tarozzi, M. (2020). What is grounded theory? . Bloomsbury Academic, Bloomsbury Publishin. DOI: https://doi.org/10.5040/9781350085275

Tercera, L. (2022).

Torres, F.. El fenómeno religioso en los universos de ficción: el mito kriptoniano. Folia Histórica del Nordeste(49), 231-247. ( https://doi.org/10.30972/fhn.49497399 de 2024) DOI: https://doi.org/10.30972/fhn.49497399

UNIR. (2021). Narrativa Transmedia. Obtenido de Marketing y Comunicación: https://www.unir.net/marketing-comunicacion

University of Wolverhampton. (2021). Obtenido de https://cutt.ly/MJLGX3E

Ure, M.. Engagement estratégico y encuentro conversacional en los medios sociales. Revista de Comunicación. ( https://doi.org/10.26441/RC17.1-2018-A10 de 2018) DOI: https://doi.org/10.26441/RC17.1-2018-A10

Velarde, D., Viehmann, C., & Valerio, G.. Características de los videos que favorecen el engagement de los divulgadores científicos en TikTok. Revista Latina de Comunicación Social(82), 1-18. ( https://www.doi.org/10.4185/RLCS-2024-2232 de 2024) DOI: https://doi.org/10.4185/rlcs-2024-2232

Velázquez Nieto, G. (2019). La muerte de Superman y su repercusión en el cómic. Obtenido de idUS: https://idus.us.es/handle/11441/91926

Vogler, C. (2002). El viaje del escritor. Barcelona: Ma non troppo.

Yesiloglu, S., & Costello, J. (2021). Influencer marketing: building brand communities and engagement. Routledge. DOI: https://doi.org/10.4324/9780429322501

Zhurovs´ky, M., & Zaychenko, Y. P. (2020). Big data: conceptual analysis and applications. Springer. DOI: https://doi.org/10.1007/978-3-030-14298-8

Published

2024-11-05

How to Cite

Martínez Borda, R., Infante Pineda, S., García Vega, A., & Barrajón Lara, I. (2024). The origin of the superhero myth on TikTok. The evolution of the character in his journey through traditional and digital media. European Public & Social Innovation Review, 9, 1–22. https://doi.org/10.31637/epsir-2024-1638

Issue

Section

INNOVATING IN SOCIAL AND COMMUNICATION NETWORKS