CNN as the axis of immersive journalism inside the informative business

Authors

DOI:

https://doi.org/10.31637/epsir-2024-360

Keywords:

Journalistic enterprise, Immersive journalism, Gamification, Augmented reality, Virtual reality, Mixed reality, Hologram, Metaverse

Abstract

Abstract: Introduction: This research focuses on the new challenges of immersive journalism through the case of the North American network CNN. The theoretical review provides a new perspective on the current context with the arrival of new trends such as hologram, which are changing the course of global immersion. This, coupled with the socio-economic crisis caused by the COVID-19 pandemic, has created significant challenges that the news company must overcome. Methodology: Using quantitative content analysis in a practical framework, an approach to CNN has been created to explain better this change in direction.  Results: The results show a change in the paradigm of the use of immersive trendings. Discussions: new trends such as hologram are replacing the first immersive trends. Conclusions: It is concluded that this direction change is due to the accelerated inclusion of new immersive trends, but it also represents a great opportunity for the media business, as they not only have to produce more but also develop content associated with these new trends.

 

Downloads

Download data is not yet available.

Author Biography

David José Lavilla Muñoz, Universidad Complutense de Madrid

David José Lavilla Muñoz (Madrid, Spain) holds a degree in Journalism and a PhD in Information Sciences from the Complutense University of Madrid. He is currently an accredited professor for the position of 'Contratado Doctor'. As a professional he has worked in RTVE, in the newspaper AS, in different virtual media and in several consulting companies. Academically, he has taught at business schools and universities in Spain and abroad. His lines of research are carried out with public funding -either by the Spanish State or by the CAM- and others with private funding (from companies or universities). All of them revolve around the human being and his interaction with the machine.

References

Asensi-Artiga, V. y Parra-Pujante, A. (2002). El método científico y la nueva filosofía de la ciencia. Anales de Documentación, 5, 9-19. https://acortar.link/vrLTPj

Azkunaga, L., Gaztaka, I. y Eguskiza, L. (2019). Nuevas narrativas en televisión: La Realidad Aumentada en los telediarios de Antena 3. Revista de Comunicación, 18(2), 25-50. https://doi.org/10.26441/RC18.2-2019-A2 DOI: https://doi.org/10.26441/RC18.2-2019-A2

Bernete, F. (2013). Análisis de contenido (cuantitativo y cualitativo). En Lucas Marín, A. y Noboa, A. (Coords.), Conocer lo social: estrategias y técnicas de construcción y análisis de datos (pp. 221-263). https://acortar.link/l0muJc

Caldera-Serrano, J. (2014). Realidad aumentada en televisión y propuesta de aplicación en los sistemas de gestión documental. El Profesional de la Información, 23(6), 643-650. http://dx.doi.org/10.3145/epi.2014.nov.12 DOI: https://doi.org/10.3145/epi.2014.nov.12

Cardona, N., Cervi, L. y Tejedor, S. (2020). Realidad aumentada y periodismo: análisis de 10 estudios de caso en televisión, prensa y plataformas digitales. IC – Revista Científica de Información y Comunicación, 17, 437-455. http://dx.doi.org/10.12795/IC.2020.i01.19

Castán, Y. (2014). Introducción al método científico y sus etapas. Metodología en Salud Pública España, 6(3), 1-6. https://acortar.link/Vbxm8Y

Clauser, J. F. (2021). Laboratory-Space and Configuration-Space Formulations of Quantum Mechanics, Versus Bell–Clauser–Horne–Shimony Local Realism, Versus Born’s Ambiguity. En G. Jaeger, D. Simon, A.V. Sergienko, D. Greenberger, A. Zeilinger (Eds.), Quantum Arrangements. Fundamental Theories of Physics (Vol. 203, pp. 35-91). Springer, Cham. https://doi.org/10.1007/978-3-030-77367-0_3 DOI: https://doi.org/10.1007/978-3-030-77367-0_3

Domínguez, S. (2010). Un estudio sobre los orígenes del cuento popular: historia y folclore. Revista de Claseshistoria, 138, 2-78. https://acortar.link/GBGQm1

Han, B. C. (2010). La Sociedad del cansancio. Herder.

Henríquez, E. y Cepeda, M. (2003). Preparación de un proyecto de investigación. Ciencia y Enfermería, 9(2), 23-28. https://acortar.link/rSgWgx DOI: https://doi.org/10.4067/S0717-95532003000200003

Huizinga, J. (2007). Homo Ludens. Alianza Editorial S.A.

Nugaeva, M. K. y Mira-Pastor, E. (2021). De storytelling a storyliving. Tecnología para crear productos audiovisuales de periodismo inmersivo. Revista Inclusiones, 8, 21-38. http://hdl.handle.net/10045/114063

Park, S. M. y Kim, Y. G. (2022). A Metaverse: Taxonomy, components, applications, and open challenges. Ieee Access, 10, 4209-4251. https://doi.org/10.1109/ACCESS.2021.3140175 DOI: https://doi.org/10.1109/ACCESS.2021.3140175

Quisbert, M., y Ramírez, D. (2011). Objetivos de la investigación científica. Revista de Actualización Clínica Investiga, 10, 461-465. https://acortar.link/crt046

Schaufeli, W. B. (2013). What is engagement? En Employee engagement in theory and practice (pp. 29-49). Routledge. DOI: https://doi.org/10.4324/9780203076965-10

Sierra Bravo, R. (1995). Técnicas de investigación social: teoría y ejercicios. Paraninfo.

Toffler, A. (1980). La tercera ola. Plaza y Janés S.A.

Wright, B. (2015). Atmos Now: Dolby Laboratories, Mixing Ideology and Hollywood Sound Production. En Living Stereo: Histories and Cultures of Multichannel Sound (pp.227-246). Bloomsbury Publishing. DOI: https://doi.org/10.5040/9781501309090.ch-010

Downloads

Published

2024-07-10

How to Cite

Lavilla Muñoz, D. J., & Sánchez Franco, V. (2024). CNN as the axis of immersive journalism inside the informative business. European Public & Social Innovation Review, 9, 1–19. https://doi.org/10.31637/epsir-2024-360

Issue

Vol. 9 (2024)

Section

INNOVATING IN PUBLIC INPUTS FOR PERSUASIVE COMMUNICATION: JOURNALISTIC AND POLITICAL

License

Copyright (c) 2024 David José Lavilla Muñoz, Víctor Sánchez Franco

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Authors who publish with this journal agree to the following terms:
  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Non Commercial, No Derivatives Attribution 4.0. International (CC BY-NC-ND 4.0.), that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).