The Death of Mr. Lazarescu: between religious iconography, possible plausibility and corporeality
DOI:
https://doi.org/10.31637/epsir-2025-1458Keywords:
body, realist, Romanian film, religious iconography, film analysis, realism, illness, discriminationAbstract
Introduction: The plot of La muerte del señor Lazarescu unfolds during a night in which the protagonist – an elderly man with alcohol-related health problems – decides to call the hospital emergency services. His journey to hospital becomes a really terrible ordeal from pillar to post in which the fall of Romania is brought to light, as the country shifts towards a democratic system, and widespread corruption becomes the verdict of a society that has not managed to leave behind its bad habits from the past. Methodology: We apply the semiotic perspective to textual analysis methodology. In addition, we will define the aforementioned analysis in realist film theory. Results: In the film analysis, we focus on the beginning of the film where importance is given to the matter of the body and the peculiarity of the main character, as well as the times when references to religious iconography are highlighted, such as those at the end of the film. Discussions: The film implies an in-depth analysis of Romanian post-communist society from a realist perspective.
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Copyright (c) 2025 Francisco Miguel Ayuso Ros

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