The Musical Subconscious: from Mozart to Rossini, Metamorphosis of a Coloratura, a Compendium of Musical and Psychological Appreciation

Autores/as

DOI:

https://doi.org/10.31637/epsir-2024-515

Palabras clave:

Coloratura, Ornamentation, Opera, Musical Subconscious, Aesthetics, Auditory Psychology, Classical music, Rococo

Resumen

This presentation delves into the profound relationship between coloratura, as a musical ornamentation, and the concept of Musical Subconscious, particularly focusing on the works of W. A. Mozart and G. Rossini. Methodology: Through the interdisciplinary lenses of philosophy and psychology, we aim to uncover the connections that exist within the human mind when exposed to intricate musical compositions. Results: Our objectives are to elucidate the role of memory, emotion, and creativity in shaping the musical experience, to analyze the distinct manifestations of the concept of musical subconscious in Mozart's and Rossini's compositions, and to explore the implications of psychology and philosophical-musical aesthetics of reception on our understanding of coloratura's impact. Conclusion: It is summarized that in this psychic symphony, the genius of Mozart and Rossini resonates like an echo that transcends not only space and time, but also the logos itself.

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Biografía del autor/a

Francisco Aranda Espinosa, Universidad Autónoma del Estado de Hidalgo

Es Licenciado en Música, Maestro en Investigación Humanística y Educativa y Doctor en Filosofía e Historia de las Ideas. Ha sido profesor de la Facultad de Piano, en la Academia de Artes, Universidad Autónoma de Zacatecas, de 2017 a 2023. Desde 2023 es Profesor Investigador de Tiempo Completo en el Instituto de Artes, Universidad Autónoma del Estado de Hidalgo (México). Es especialista en Estética de la Música y del Arte, y en el análisis de la Ópera, desde un enfoque interdisciplinario.

Citas

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Gadamer, H. G. (1994). Truth and Method, translation by Joel Weinsheimer and Donald G. Marshall. Continuum.

Levitin, D. J. (2006). This is your Brain on Music: The Science of a Human Obsession. Dutton.

Lynn, K. (2006). Decoration or Dramatic Function?: Mozart 's Use of Coloratura in Three Comic Soprano Roles (PhD Thesis). University of Waterloo, BA.

Nietzsche, F. (1969). Beyond Good and Evil. Gateway Edition, Henry Regnery Company.

Patel, A. D. (2007). Music, Language and the Brain. Oxford University Press.

Reybrouck, M. (1997). Gestalt Concepts and Music: Limitations and Possibilities. In Leman, Marc (Ed.), Music, Gestalt and Computing. Studies in Cognitive and Systematic Musicology. Springer.

Sacks, O. (2007). Musicophilia. Tales of Music and the Brain. Alfred A. Knopf Inc.

Schopenhauer, A. (2010). The World as Will and Representation. Cambridge University Press.

Vaccai, N. (2013). Practical Method of Italian Singing: Mezzo-Soprano (Alto) or Baritone. G. Schirmer Inc.

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Publicado

2024-08-15

Cómo citar

Aranda Espinosa, F. (2024). The Musical Subconscious: from Mozart to Rossini, Metamorphosis of a Coloratura, a Compendium of Musical and Psychological Appreciation. European Public & Social Innovation Review, 9, 1–15. https://doi.org/10.31637/epsir-2024-515

Número

Vol. 9 (2024)

Sección

INNOVANDO EN LENGUAS, LENGUAJES Y LITERATURA: NUEVOS RELATOS

Licencia

Derechos de autor 2024 Francisco Aranda Espinosa

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