The language and meaning of media memes from a semiotic perspective
DOI:
https://doi.org/10.31637/epsir-2025-1040Palavras-chave:
Memes, humour, viralisation, social networks, Facebook, Instagram, Tiktok, semioticsResumo
Introduction: Memes have become a key resource for communication, making it possible to disseminate information quickly and to reach a young audience in search of specific content. This study analyses the effectiveness of memes in communication. Methodology: A quantitative and exploratory approach was used, with the technique of direct observation. Information was recorded through a form applied to a sample of 302 memes, analysing the visual elements, the message and the social, cultural or political context of each one. Results: The results show that memes generate active participation, and their effectiveness in communication depends on the relevance of the current context. Memes that reflect users' experiences have a greater impact. Discussion: The analysis reveals that memes are a powerful digital communication tool, leveraging both visual and linguistic content to connect with a broad and diverse audience on platforms such as TikTok, Instagram and WhatsApp. Conclusions: Memes are effective at communicating messages interactively, and their impact depends on the context and user experience.
Downloads
Referências
Abu Rumman, R., Obeidat, M., Haider, A. S., & Sahari, Y. (2024). A Cognitive Linguistic analysis of HAND and FACE metaphors and metonymies in Jordanian Arabic. Public Journal of Semiotics, 11(1), 1–22. https://journals.lub.lu.se/pjos/article/view/26113
Alvarado, T. (2018). Los memes como manifestación satírica de la opinión pública en la política ecuatoriana: estudio del caso “Rayo Correizador”. (Tesis Maestría). Universidad Casa Grande. Guayaquil- Ecuador.
Barroso, M. del C. (2008). Análisis semiótico del logo de Mozilla. Revista de La SEECI, 17, 17-56 https://bit.ly/347kBKD
Carpio, L., Barrazueta, P., & Suing, A. (2020). El humor gráfico en tiempos de coronavirus: Análisis de los memes publicados en Ecuador entre marzo y mayo de 2020. RISTI: Revista de Sistemas y Tecnologías de Información. 35, 452-465. https://n9.cl/47mi3p
Castaño, C. (2013). Defining and characterizing the concept of Internet Meme. CES Psicología, 6(2), 82-104. https://n9.cl/9bqef
Cendejas, J., & González J. (2023) La semiótica y la inteligencia artificial (IA); un análisis de la comunicación simbólica en la era de la tecnología. Revista Chilena de Semiótica. 19, 52-80. https://n9.cl/zavlv
Davison, P. (2012). 9. The Language of Internet Memes. In M. Mandiberg (Ed.), The Social Media Reader (pp. 120-134). New York, USA: New York University Press. https://doi.org/10.18574/nyu/9780814763025.003.0013
De Morentin, J. M. (2001). La(s) semiótica(s) de la imagen visual. Cuadernos, 17, 295-320 https://bit.ly/2Wctq1y
Echeverría, V., & González, R. A. (2019). Los memes como entretenimiento político Recepción, usos y significados. Revista Mexicana de Opinión Pública, 14(27), 117-133. https://bit.ly/3qIWn3b
Galip, I. (2024). Methodological and epistemological challenges in meme research and meme studies. Internet Histories, 1-19. https://doi.org/10.1080/24701475.2024.2359846
Lampis, M. (2020). Hacia una semiótica del eros. El aspecto lexicográfico. Los diccionarios de la lengua española. Revista Chilena de Semiótica, 13, 164-181. https://n9.cl/nb69s
Lonnberg, A., Xiao, P., & Wolfinger, K. (2020). The growth, spread, and mutation of internet phenomena: A study of memes. Results in Applied Mathematics, 6. https://doi.org/10.1016/j.rinam.2020.100092
Mandiberg, M. (Ed.). (2012). The Social Media Reader. NYU Press. https://n9.cl/dgrfh
Méndez-Gaitán, M. (2022). Análisis semiótico de la magia en el satanismo a partir del primer capítulo del libro “Que la muerte espere” de Germán Castro Caycedo. Revista Cubun, 2(3), 10-21. https://n9.cl/tvw97
Miltner, K. (2018). Internet memes. In J. Burgess, A. Marwick., & T. Poell (Eds.), The SAGE handbook of social media. 412-428. SAGE Publications Ltd. https://doi.org/10.4135/9781473984066
Moreno Barreneche, S. (2023). El futuro como construcción textual: el aporte de la semiótica al estudio de la discursividad temporal. Andamios, 20(51), 35-54. https://doi.org/10.29092/uacm.v20i51.967
Peirce, C. S. (1974). La ciencia de la semiótica. Ediciones Nueva Visión. https://bit.ly/4ct4UhT
Robles Chamorro, R. (2019). Richard Dawkins, El gen egoísta extendido. Crítica. Revista Hispanoamericana De Filosofía, 51(151), 123-128. https://n9.cl/oktas
Rodríguez Lozano, A. (2018). Memes de Internet y comunicación en las redes sociales digitales. Una mirada desde el diseño. (Trabajo de postgrado). Universidad Nacional de Colombia. Colombia.
Rosero, E. (2015). Memes: Comunicación e identidad, análisis comunicacional de los Memes de Crudo Ecuador como representación de la identidad ecuatoriana. Pontificia Universidad Católica del Ecuador, Quito-Ecuador.
Ruiz, J. M. (2018). Una aproximación retórica a los memes de internet. Signa: Revista de la Asociación Española de Semiótica, 27, 995-1022. https://bit.ly/34aUse5
Saussure, F. (1945). Curso de lingüística general. Losada.
Zecchetto, V., Dallera, O., Marro, M., Braga, M. L., & Vicente, K. (2013). Seis semiólogos en busca del lector. Turulero.
Zecchetto, V. (2002). La danza de los signos: nociones de semiótica general. ABYA-YALA.
Downloads
Publicado
Como Citar
Edição
Secção
Licença
Direitos de Autor (c) 2025 Juan Pablo Arrobo-Agila, Mayra Gonzales, Patricio Barrazueta Molina
Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição-NãoComercial-SemDerivações 4.0.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Non Commercial, No Derivatives Attribution 4.0. International (CC BY-NC-ND 4.0.), that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).